Kinefinity Mavo 6k Body

Kinefinity Mavo 6k Body

Code: MAVO6KBODY    Brand: Kinefinity   

MAVO is based on the advanced color processing architecture and whole new CMOS image sensors to achieve super low-noise, wide dynamic range. Whether it is the S35 format version of MAVO or the large-format version of MAVO LF, the 6K images can bring stunning details and organic images.

 

 

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$12,100.00
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Supplier Code: MAVO6KBODY

 

MAVO and MAVO LF are based on the same image process platform, using advanced color processing architecture and whole new CMOS image sensors to achieve super low-noise, high dynamic range. Whether it is the S35 format version of MAVO or the large-format version of MAVO LF, the 6K cameras can bring stunning details and organic images. MAVO LF with large-format sensor provides cleaner images, wider viewing angles, shallower depth of field, and more immersive presence for cinematographers.

Both MAVO and MAVO LF can shoot 6K wide 66fps, 4K wide 100fps slo-mo. Both slow-mo and normal frame rate can get the same superior images, more than 14 stops of latitude, pleasing skin tones and shadow details are reserved perfectly. With 6K 3:2 aspect ratio, in addition to the conventional 16:9 and 17:9 standard aspect ratio, the CMOS sensor can also provide a variety of image formats, such as 4:3, 6:5 S35 anamorphic shooting, even the open gate 6016×4016, up to 24 million pixels’ images!

Also, MAVO provides three kinds of intermediate codecs suitable for editing and color grading to simplify the workflow and provide the maximum room for post-processing. For KineRAW, KRW2.0 as compressed RAW has compression ratio from 2:1~10:1. To work with Davinci Resolve, MAVO can record cinema DNG now, and the compression ratio can be set to 3:1, 5:1, or 7:1.

MAVO and MAVO LF keep the tiny camera body though the doubled processing ability and more encoding ability, and are compatible with most TERRA accessories. It benefits from MAVO’s advanced computation architecture and low-power design so that it packs such powerful performance into such a small and reliable body. After inserting a wireless card (DarkTower platform) into the new KineBACK-W, MAVO and MAVO LF turn into a wireless camera: wireless video transmission and wireless lens control system (support Movcam), which greatly simplifies the connection between the camera and the accessories, improves reliability and durability significantly.

 

MAVO 

S35 MAVO employs S35 CMOS image sensor, 3:2 aspect ratio, 24x16mm, resolution up to 6016×4016, perfectly matches S35 lenses, or APS-C and full-frame lenses. The S35′s anamorphic lenses also work with MAVO’s 6:5 or 4:3 modes perfectly. At the S35 format, you can shoot 6K up to 50fps; for 6K Wide up to 66fps. In crop mode, 4K Wide is up to 100fps!

ISO With the advanced CMOS sensor process technology, the CMOS sensor has lower noise level, roughly equivalent to half of TERRA 6K noise, so as to obtain higher sensitivity. Although the base ISO is 800, the noise remains still low at 1600, 2560, and 3200. If the rendering output is 4K or 2K resolution, the ISO can be even higher, and the output is still sharp and clean.

FPS and Optical Format MAVO uses a high-speed, low-noise S35 CMOS image sensor (cropping factor is 1.5) and the dynamic range is more than 14 stops at 6K resolution and various cropping modes. The frame rate is up to 66fps at S35 6K Wide and is up to 100fps at M43 4K Wide. The bit depth of RAW format is 12 bits. When ProRes, it also supports in-camera oversampling, which directly outputs S35 4K/3K/2K resolution. Since the native frame rate is much higher than TERRA 6K, the “rolling” effect is also much lower than TERRA 6K.

MAVO LF 

Large Format MAVO LF employs a full-frame CMOS image sensor, physical size as 36x24mm, resolution is over 6K: 6016×4016. Compared to the S35 format sensor, the large format CMOS sensor is 2.25 times larger, the exposure area is bigger, the single pixel pitch is larger, the SNR is better, then the picture is cleaner. In addition, large format offers a wider perspective, shallower depth of field and more immersive presence. You can use not only cinema lenses designed for large format like MAVO Prime, CP3, Cooke S7i, Arri Signature Prime, but also a large number of existing full-frame still camera lenses.


Higher ISO MAVO LF works with a whole-new full-frame CMOS image sensor. The large pixel pitch with latest CMOS process tech, provides high sensitivity and best low-light performance. Its base ISO is 1600. The noise level remain very low at ISO 2560, 3200, 5120.The ISO can be even higher if the rendering output is downsampled to 4K or 2K.

Versatile Optical Format MAVO LF uses a high-speed, low-noise, full-frame CMOS image sensor with over 14 stops of dynamic range at 6K resolution and cropping modes. At full-frame optical format, the frame rate can also reach 6K Wide 66fps. At the S35 format, the frame rate can reach 4K Wide 100fps. This is also an advantage of the large-format CMOS image sensor, higher slow-mo ability at S35 format. Similarly, the RAW format has 12 bits, and the ProRes format supports in-camera oversampling and can directly output 4K/3K/2K resolution at full frame. The “rolling” effect is also much lower than TERRA 6K.

  
Camera Type S35, Large Format Film-Style Digital Cinema / Camera MAVO and MAVO LF
Imaging Sensor 6K 3:2 S35, Full FrameFormat CMOS / MAVO: 24x16mm MAVO LF: 36x24mm Crop factor over FF: 1.5 or 1
Shutter Rolling Shutter
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters
*PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer
Record Formats .dng | 12bits
.krw | 12bits
.mov | 12/10bits
Resolution 6K(Open Gate) | 4K | 3K 
6016x4016 | 4096x2160 | 3072x1620 | *5376x4016, 4:3
Max FPS 66@6K Wide | 100@4K Wide | 150@3K Wide | *Wide, 2.4:1
Dynamic Range >14 stops
ISO Base ISO | Max 
800 |  20480 
Shutter Angle 0.7°~358°
Monitoring Video Port x2 | HD Port x1 | SDI x2* | *Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W
Record Media 2.5" SSD with 7mm Height 
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK-W
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK-W
LUT Preset: Neutral, Support Custom 3D LUT 
Power Power In |  Consumption 
DC IN 11~19V/SideGrip/V-Mount* | 21W |*Applicable on KineBACK-W
Body Color Metal Black 
Weight 2.1 lb / 990 g | *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm | *W/o projections, WxHxL
Operating Temp 0°C to +40°C

 

  • MAVO 6k Body with standard Kinemount (lens adaptor is optional)
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OVERVIEW

 

MAVO and MAVO LF are based on the same image process platform, using advanced color processing architecture and whole new CMOS image sensors to achieve super low-noise, high dynamic range. Whether it is the S35 format version of MAVO or the large-format version of MAVO LF, the 6K cameras can bring stunning details and organic images. MAVO LF with large-format sensor provides cleaner images, wider viewing angles, shallower depth of field, and more immersive presence for cinematographers.

Both MAVO and MAVO LF can shoot 6K wide 66fps, 4K wide 100fps slo-mo. Both slow-mo and normal frame rate can get the same superior images, more than 14 stops of latitude, pleasing skin tones and shadow details are reserved perfectly. With 6K 3:2 aspect ratio, in addition to the conventional 16:9 and 17:9 standard aspect ratio, the CMOS sensor can also provide a variety of image formats, such as 4:3, 6:5 S35 anamorphic shooting, even the open gate 6016×4016, up to 24 million pixels’ images!

Also, MAVO provides three kinds of intermediate codecs suitable for editing and color grading to simplify the workflow and provide the maximum room for post-processing. For KineRAW, KRW2.0 as compressed RAW has compression ratio from 2:1~10:1. To work with Davinci Resolve, MAVO can record cinema DNG now, and the compression ratio can be set to 3:1, 5:1, or 7:1.

MAVO and MAVO LF keep the tiny camera body though the doubled processing ability and more encoding ability, and are compatible with most TERRA accessories. It benefits from MAVO’s advanced computation architecture and low-power design so that it packs such powerful performance into such a small and reliable body. After inserting a wireless card (DarkTower platform) into the new KineBACK-W, MAVO and MAVO LF turn into a wireless camera: wireless video transmission and wireless lens control system (support Movcam), which greatly simplifies the connection between the camera and the accessories, improves reliability and durability significantly.

 

MAVO 

S35 MAVO employs S35 CMOS image sensor, 3:2 aspect ratio, 24x16mm, resolution up to 6016×4016, perfectly matches S35 lenses, or APS-C and full-frame lenses. The S35′s anamorphic lenses also work with MAVO’s 6:5 or 4:3 modes perfectly. At the S35 format, you can shoot 6K up to 50fps; for 6K Wide up to 66fps. In crop mode, 4K Wide is up to 100fps!

ISO With the advanced CMOS sensor process technology, the CMOS sensor has lower noise level, roughly equivalent to half of TERRA 6K noise, so as to obtain higher sensitivity. Although the base ISO is 800, the noise remains still low at 1600, 2560, and 3200. If the rendering output is 4K or 2K resolution, the ISO can be even higher, and the output is still sharp and clean.

FPS and Optical Format MAVO uses a high-speed, low-noise S35 CMOS image sensor (cropping factor is 1.5) and the dynamic range is more than 14 stops at 6K resolution and various cropping modes. The frame rate is up to 66fps at S35 6K Wide and is up to 100fps at M43 4K Wide. The bit depth of RAW format is 12 bits. When ProRes, it also supports in-camera oversampling, which directly outputs S35 4K/3K/2K resolution. Since the native frame rate is much higher than TERRA 6K, the “rolling” effect is also much lower than TERRA 6K.

MAVO LF 

Large Format MAVO LF employs a full-frame CMOS image sensor, physical size as 36x24mm, resolution is over 6K: 6016×4016. Compared to the S35 format sensor, the large format CMOS sensor is 2.25 times larger, the exposure area is bigger, the single pixel pitch is larger, the SNR is better, then the picture is cleaner. In addition, large format offers a wider perspective, shallower depth of field and more immersive presence. You can use not only cinema lenses designed for large format like MAVO Prime, CP3, Cooke S7i, Arri Signature Prime, but also a large number of existing full-frame still camera lenses.


Higher ISO MAVO LF works with a whole-new full-frame CMOS image sensor. The large pixel pitch with latest CMOS process tech, provides high sensitivity and best low-light performance. Its base ISO is 1600. The noise level remain very low at ISO 2560, 3200, 5120.The ISO can be even higher if the rendering output is downsampled to 4K or 2K.

Versatile Optical Format MAVO LF uses a high-speed, low-noise, full-frame CMOS image sensor with over 14 stops of dynamic range at 6K resolution and cropping modes. At full-frame optical format, the frame rate can also reach 6K Wide 66fps. At the S35 format, the frame rate can reach 4K Wide 100fps. This is also an advantage of the large-format CMOS image sensor, higher slow-mo ability at S35 format. Similarly, the RAW format has 12 bits, and the ProRes format supports in-camera oversampling and can directly output 4K/3K/2K resolution at full frame. The “rolling” effect is also much lower than TERRA 6K.

  

SPECIFICATIONS

Camera Type S35, Large Format Film-Style Digital Cinema / Camera MAVO and MAVO LF
Imaging Sensor 6K 3:2 S35, Full FrameFormat CMOS / MAVO: 24x16mm MAVO LF: 36x24mm Crop factor over FF: 1.5 or 1
Shutter Rolling Shutter
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters
*PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer
Record Formats .dng | 12bits
.krw | 12bits
.mov | 12/10bits
Resolution 6K(Open Gate) | 4K | 3K 
6016x4016 | 4096x2160 | 3072x1620 | *5376x4016, 4:3
Max FPS 66@6K Wide | 100@4K Wide | 150@3K Wide | *Wide, 2.4:1
Dynamic Range >14 stops
ISO Base ISO | Max 
800 |  20480 
Shutter Angle 0.7°~358°
Monitoring Video Port x2 | HD Port x1 | SDI x2* | *Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W
Record Media 2.5" SSD with 7mm Height 
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK-W
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK-W
LUT Preset: Neutral, Support Custom 3D LUT 
Power Power In |  Consumption 
DC IN 11~19V/SideGrip/V-Mount* | 21W |*Applicable on KineBACK-W
Body Color Metal Black 
Weight 2.1 lb / 990 g | *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm | *W/o projections, WxHxL
Operating Temp 0°C to +40°C

 

IN THE BOX

  • MAVO 6k Body with standard Kinemount (lens adaptor is optional)