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This is a Kit item made up of the following products:
With overall dimensions of 112.6×69.9×45.3mm and a body weight of 422g, battery included, the SIGMA fp is the world’s smallest and lightest full-frame mirrorless camera*. Small enough to take along for casual use, it is a perfect camera with which to enjoy full-frame quality images in everyday snaps.
* As of July, 2019 by SIGMA
Equipped with a back-illuminated 35mm full-frame Bayer sensor with 24.6 effective megapixels, the SIGMA fp is capable of taking high-resolution still and moving images.
Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the SIGMA fp achieves highly effective heat dissipation. It prevents overheating at high temperatures or in long hours of use.
A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.
The SIGMA fp is protected with the dust- and splash-proof sealing on a total of 42 points over the camera body. When combined with a dust- and splash-proof lens, the SIGMA fp is capable of shooting in rain, sandstorms, and other challenging conditions.
The SIGMA fp is fitted with 1/4-inch threads for both the strap holder on either side of the body and a tripod. This provides greater freedom in how one use the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.
Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The SIGMA fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambience of the scene; and shooting with good response, without missing the perfect shot. These types of shooting will open new horizons in video creation.
Furthermore, the absence of a mechanical shutter makes the SIGMA fp's camera structure simpler, which in turn improves its reliability as a camera.
Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the “mood” of a film or other types of work significantly. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the SIGMA fp, called “Teal and Orange.”
This new color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic.
It can be used in both the Still mode and Cine mode.
The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.
Note: The HDR shooting in the Cine mode is to become available via firmware update scheduled at a later date.
SIGMA fp comes with a feature to make "Cinemagraphs", which are animated GIFs that are a hybrid between still photography and video. With this function, the SIGMA fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera.
Note: The Cinemagraph function is to become available via firmware update scheduled at a later date.
The Face/Eye Detection AF function allows the SIGMA fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field.
The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually.
L-Mount* is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and superior durability.
In 2018, Leica Camera AG, Panasonic Corporation and SIGMA launched the L-Mount Alliance, and announced that the three companies were to develop their own camera systems based around the same L-Mount standard. As an L-Mount camera, the SIGMA fp can be used with various L-Mount lenses offered by Leica and Panasonic, in addition to SIGMA lenses.
The L-Mount realilzes a camera system that goes beyond the boundaries between manufacturers, with unprecedented levels of scalability and possibilities.
* The L-Mount Trademark is a registered Trademark of Leica Camera AG.
In addition to genuine accessories designed exclusively for the SIGMA fp, the camera supports cinema camera-like user interfaces. It has solid compatibility that makes it a perfect camera that fits right into filmmaking settings.
Aside from professional cinema cameras, the SIGMA fp is the first DSLR camera that supports external recording in 12-bit CinemaDNG format. With up to 4K UHD/24fps recording, it produces video data that can be used even in filmmaking.
It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. The record format that best suits the purpose of the video can be selected.
* The feature of playing CinemaDNG footages in-camera is to become via firmware update scheduled at a later date.
* The CinemaDNG logo is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries.
The SIGMA fp has a director's viewfinder function that allows the user to simulate different angles of view and how an image looks, on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only the latest large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K but also filmcameras and anamorphic lenses as well.
Cinema cameras supported:
Note: The feature of recording/playing video with the director's viewfinder function enabled is to become available via firmware update scheduled at a later date.
Preserving the distinctive “feels” of SIGMA cameras including dials and QS (Quick Set) buttons, the SIGMA fp has a specially designed operation system and displays for each of the Still mode and the Cine mode. At the flick of a special switch, it can move back and forth between the two modes. This presents a new shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos.
The SIGMA MOUNT CONVERTER MC-21 allows SIGMA SA mount and SIGMA’s CANON EF mount interchangeable lens owners to use their lens investment on L-Mount camera bodies. The converter allows more freedom of choice for L-Mount cameras from SIGMA, Leica Camera and Panasonic, enhancing the extensibility of the L-Mount system.
Attaching the MC-21 to your collection of SIGMA SA mount and SIGMA’s CANON EF mount compatible lenses※ allows them to be used as L-Mount system lenses, promoting the effective use of valuable lenses already owned.※See the list of compatible lenses below.
The MC-21 increases the number of interchangeable lenses manufactured by SIGMA that can be used with the L-Mount system by 29 lenses. Compatible with the autocrop function, mounting APS-C size image circle DC lenses to a camera body equipped with a 35mm full size sensor still allows immediate use for shooting.
Fast and accurate auto focusHigh precision AF photography in AF-S mode is achieved.* Not compatible with AF-C mode.
Whether the mounted lens is compatible or not is instantly visible from the color and the on/off of the MC-21’s built-in LED. The LED also notifies the user when a lens firmware update is available.
Running the data pre-loaded in the MC-21 for each lens by the special control program, autofocus and aperture control have been optimized. Regarding lenses to be released in the future, data for operating these lenses via the MC-21 will be stored in the lens. It means no firmware updates of the MC-21 will be required to use those new lenses. In addition, the MC-21 also supports correction functions of camera such as peripheral illumination, chromatic aberration of magnification, and distortion.
Equipped with a socket for attaching the tripod※. Lenses not equipped with a tripod socket can be used by mounting the tripod to the MC-21.※ The tool supplied makes attaching/detaching possible.
To prevent a reduction in lens performance due to internal reflections, the inside surface of the barrel is covered with flocking.
Information such as lens type, focal length, F number, and other tags are embedded as Exif data in each image file.
Interchangeable-lens Mirrorless Type Digital Camera
SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported)
35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor
Camera effective pixels / Total pixels
Approx. 24. 6MP / Approx. 25.3MP
Color, filter System
RGB Primary color filter
Still Image File Format
Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible
Image aspect ratio
[21:9] /[16:9] /[3:2] /[A Size (√2:1)] /[4:3] /[7:6] /[1:1]
HIGH：6000×4000 (3840x2560) LOW：3008x2000 (1920x1280)*() In DC Clop Mode
[A Size (√2:1)]
Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras)
sRGB / Adobe RGB
Movie Recording Format [Camera Internal Record]
CinemaDNG（8bit / 10bit/ 12bit） /MOV：H.264 (ALL-I/ GOP)
Linear PCM (2ch 48kHz/16bit)
Recording Pixels / Frame Rate
3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p,FHD(1,920x1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p
Movie Recording Format [HDMI External Output]
HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported
Auto Format / Focus Mode
Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus
AF Measurement DistanceDetecton Range / AF mode
-5EV～18EV(F1.4：ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode
Half-press the shutter button, or press the AEL button
Other Focus Functions
AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification
Evaluative, Spot, Center Weighted Average
-5～18EV (50mm F1.4: ISO100)
Still Image Shooting Mode
(P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
Movie Shooting Mode
(P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
ISO 100-25600,Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400
±5EV (in 1/3-stop increments)
Half-press the shutter button, or press the AEL button (setting change required).
3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)
Image Stabilization System
12types ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 )
30 - 1/8,000sec.,Bulb
Self-Timer / Remote control
2sec. / 10sec. (Self-Timer)
Single shooting, Continuous shooting, Self-timer, Interval shooting
Continuous shooting speed
HI：18fps, MED：5fps, LO：3fps
Maximum number of shots
HIGH: 12frame, MED: 12frame, LOW: 24frame
Type / Coverage
TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots /Electrostatic capacitance system touch panel /Approx. 100%
Flash (when to use external flash)
Light Emission Mode
S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash)
Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization
Max. ±3EV in 1/3EV-step increments
Flash Tuning Speed
Max. 1/30sec. * 1/15 sec. or less at 14bit
External Flash Support
Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact
12types ( Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome )
STILL Mode: FillLight / Shading Correcton / HDR shooting CINE Mode: Still image shooting during movie shooting / HDR shooting / Director's view finder
STILL: Mode In-camera DNG Development CINE Mode: Cinemagraph / still image cut-out
Built-in Microphone / Speaker
Stereo microphone, Monaural speaker
English /Japanese /German /French /Spanish /Italian /Simplified Chinese /Traditional Chinese /Korean /Russian /Dutch /Polish /Portuguese /Danish /Swedish /Norwegian /Finnish
USB3.1 GEN1 Type C
Type D (Ver.1.4)
Also used as an external microphone terminal
Available(Plug-in power support)
Dedicated terminal (with hot shoe unit HU-11 (supplied with this prodct) mounted)
Li-ion Battery BP-51 *USB power supply available (when the power is turned off)
Dimensions and Weight
112.6 x 69.9 x 45.3mm
422g(including battery and SDcard), 370g(Camera Body Only)
86%or less * no condensing
Accessories / Optional Accessories
LI-ION BATTERY BP-51, Strap, Strap Holder, USB AC Adapter UAC-11, USB Cable (A-C) SUC-11, HOT SHOE UNIT HU-11, Body Cap, Instruction Manual, Warranty, Warranty Sticker
HAND GRIP HG-11, LARGE HAND GRIP HG-21, LCD VIEW FINDER LVF-11, BASE PLATE BPL-11, CABLE RELEASE CR-41, BASE GRIP BG-11, DC CONNECTOR CN-21, BATTERY CHARGER BC-71, AC ADAPTER SAC-7P, ELECTRONIC FLASH EF-630, MOUNT CONVERTER MC-21
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