Sigma FP Digital Camera

Sigma FP Digital Camera

$2,999.00
  IN STOCK
  IN STOCK
PRODUCT ENQUIRY
  • World’s Smallest & Lightest Full-Frame Camera
  • Full-Frame Sensor
  • 24.6 Effective Megapixels
  • Robust & Lightweight Aluminum Body
  • Weighs 422g With Battery
Brand: Sigma   |    Code: C43900
APN: 0085126937300   |    Supplier Code: C43900

7 Shooting Style Suggestions with the SIGMA fp

L-Mount Optimised

"Pushing Limits and Boundaries for Any Image You Want"

The act of “image shooting,” reconstructed to give the SIGMA fp its signature features.

Supports Full-Fledged Filmmaking

Seamless Transition Between Still and Cine Modes

World’s smallest and lightest full-frame camera

World’s smallest & lightest

With overall dimensions of 112.6×69.9×45.3mm and a body weight of 422g, battery included, the SIGMA fp is the world’s smallest and lightest full-frame mirrorless camera*. Small enough to take along for casual use, it is a perfect camera with which to enjoy full-frame quality images in everyday snaps.

* As of July, 2019 by SIGMA

Full-frame sensor

Equipped with a back-illuminated 35mm full-frame Bayer sensor with 24.6 effective megapixels, the SIGMA fp is capable of taking high-resolution still and moving images.

Large heat sink

Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the SIGMA fp achieves highly effective heat dissipation. It prevents overheating at high temperatures or in long hours of use.

Robust & lightweight aluminum body

A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.

Dust- & splash-proof structure

The SIGMA fp is protected with the dust- and splash-proof sealing on a total of 42 points over the camera body. When combined with a dust- and splash-proof lens, the SIGMA fp is capable of shooting in rain, sandstorms, and other challenging conditions.

Same screw threads for strap fittings and tripod

The SIGMA fp is fitted with 1/4-inch threads for both the strap holder on either side of the body and a tripod. This provides greater freedom in how one use the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.

Electronic shutter for a variety of settings

Full-time electronic shutter

Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The SIGMA fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambience of the scene; and shooting with good response, without missing the perfect shot. These types of shooting will open new horizons in video creation.

Furthermore, the absence of a mechanical shutter makes the SIGMA fp's camera structure simpler, which in turn improves its reliability as a camera.

Superior options in artistic picture & video creations

Color mode “Teal and Orange”

Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the “mood” of a film or other types of work significantly. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the SIGMA fp, called “Teal and Orange.”

This new color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic.

It can be used in both the Still mode and Cine mode.

Fill Light

A function formerly available only in SIGMA Photo Pro, SIGMA's proprietary image development software, Fill Light has now been incorporated into the body of SIGMA fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings.

The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more.

Tone Control & Color mode

The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves.

The SIGMA fp is also the first SIGMA camera to come with an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to +5, which enables the fine-tune of the color mode.

It has also newly introduced "TONE" and "COLOR" buttons for a quick access to the tone control and color mode menus. With these enhancd functions and a variety of operation elements, the SIGMA fp makes it simple and easy to create an image, in-camera with great details, be it still or video.

Advanced picture & video generating technologies

HDR shooting

The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.

Note: The HDR shooting in the Cine mode is to become available via firmware update scheduled at a later date.

Cinemagraph

SIGMA fp comes with a feature to make "Cinemagraphs", which are animated GIFs that are a hybrid between still photography and video. With this function, the SIGMA fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera.

Note: The Cinemagraph function is to become available via firmware update scheduled at a later date.

Face/Eye Detection AF

The Face/Eye Detection AF function allows the SIGMA fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field.

Focus peaking

The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually.

L-Mount

L-Mount

L-Mount* is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and superior durability.

In 2018, Leica Camera AG, Panasonic Corporation and SIGMA launched the L-Mount Alliance, and announced that the three companies were to develop their own camera systems based around the same L-Mount standard. As an L-Mount camera, the SIGMA fp can be used with various L-Mount lenses offered by Leica and Panasonic, in addition to SIGMA lenses.

The L-Mount realilzes a camera system that goes beyond the boundaries between manufacturers, with unprecedented levels of scalability and possibilities.

* The L-Mount Trademark is a registered Trademark of Leica Camera AG.

Lenses specially designed for mirrorless cameras

To coincide with the announcement of the SIGMA fp, SIGMA announced three new lenses: 45mm F2.8 DG DN | Contemporary, 35mm F1.2 DG DN | Art, and 14–24mm F2.8 DG DN | Art. Making the most of the optical and mechanical design advantages of a short flange back, each of them is a unique mirrorless lens with high performance and distinctive characteristics.

SIGMA MOUNT CONVERTER MC-21

The SIGMA MOUNT CONVERTER MC-21 is a converter that enables the use of the SIGMA SA mount and SIGMA's CANON EF mount interchangeable lenses on L-Mount cameras. Use of the MC-21 increases the compatibility and broadens the choice for L-Mount cameras and lenses, thus greatly enhancing the scalability of the L-Mount system.

Supports full-fledged filmmaking

Accessories and compatibility

In addition to genuine accessories designed exclusively for the SIGMA fp, the camera supports cinema camera-like user interfaces. It has solid compatibility that makes it a perfect camera that fits right into filmmaking settings.

Supports RAW video data recording

Aside from professional cinema cameras, the SIGMA fp is the first DSLR camera that supports external recording in 12-bit CinemaDNG format. With up to 4K UHD/24fps recording, it produces video data that can be used even in filmmaking.

It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. The record format that best suits the purpose of the video can be selected.

* The feature of playing CinemaDNG footages in-camera is to become via firmware update scheduled at a later date.

* The CinemaDNG logo is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries.

Director's viewfinder

The SIGMA fp has a director's viewfinder function that allows the user to simulate different angles of view and how an image looks, on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only the latest large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K but also filmcameras and anamorphic lenses as well.

Cinema cameras supported:

[ARRI]

ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, ALEXA XT

[SONY]

VENICE

[RED]

MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K

Note: The feature of recording/playing video with the director's viewfinder function enabled is to become available via firmware update scheduled at a later date.

Special functions comparable to professional cinema cameras

The SIGMA fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment.

Seamless transition between Still and Cine modes

UI optimized for different shooting modes

Preserving the distinctive “feels” of SIGMA cameras including dials and QS (Quick Set) buttons, the SIGMA fp has a specially designed operation system and displays for each of the Still mode and the Cine mode. At the flick of a special switch, it can move back and forth between the two modes. This presents a new shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos.

Format

Type

Interchangeable-lens Mirrorless Type Digital Camera

Storage Media

SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported)

Lens Mount

L-Mount

Image Sensor

Type

35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor

Camera effective pixels / Total pixels

Approx. 24. 6MP / Approx. 25.3MP

Aspect Ratio

3:2

Color, filter System

RGB Primary color filter

Still Image File Format

Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible

Image aspect ratio

[21:9] /[16:9] /[3:2] /[A Size (√2:1)] /[4:3] /[7:6] /[1:1]

File Size

RAW

HIGH:6000×4000 (3840x2560) LOW:3008x2000 (1920x1280)*() In DC Clop Mode

JPEG

  •  

[21:9]

HIGH6,000×2,576 (3,840×1,648)

MED4,240×1,824 (2,736×1,168)

LOW3,008×1,288 (1,920×824)

  •  
  •  

[16:9]

HIGH6,000×3,376 (3,840×2,160)

MED4,240×2,392 (2,736×1,536)

LOW3,008×1,688 (1,920×1,080)

  •  
  •  

[3:2]

HIGH6,000×4,000 (3,840×2,560)

MED4,240×2,832 (2,736×1,824)

LOW3,008×2,000 (1,920×1,280)

  •  
  •  

[A Size (√2:1)]

HIGH5,664×4,000 (3,616×2,560)

MED4,000×2,832 (2,560×1,824)

LOW2,832×2,000 (1,808×1,280)

  •  
  •  

[4:3]

HIGH5,344×4,000 (3,408×2,560)

MED3,776×2,832 (2,416×1,824)

LOW2,672×2,000 (1,712×1,280)

  •  
  •  

[7:6]

HIGH4,672×4,000 (2,992×2,560)

MED3,312×2,832 (2,112×1,824)

LOW2,336×2,000 (1,488×1,280)

  •  
  •  

[1:1]

HIGH4,000×4,000 (2,560×2,560)

MED2,832×2,832 (1,824×1,824)

LOW2,000×2,000 (1,280×1,280)

Crop

Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras)

Color Space

sRGB / Adobe RGB

Movie Recording Format [Camera Internal Record]

Movie Format

CinemaDNG(8bit / 10bit/ 12bit) /MOV:H.264 (ALL-I/ GOP)

Audio Format

Linear PCM (2ch 48kHz/16bit)

Recording Pixels / Frame Rate

3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p,FHD(1,920x1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

Movie Recording Format [HDMI External Output]

Movie Format

HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported

Audio Format

Linear PCM (2ch 48kHz/16bit)

Focus

Auto Format / Focus Mode

Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus

AF Measurement DistanceDetecton Range / AF mode

-5EV~18EV(F1.4:ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode

AF Lock

Half-press the shutter button, or press the AEL button

Other Focus Functions

AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification

Exposure Control

Metering System

Evaluative, Spot, Center Weighted Average

Metering Range

-5~18EV (50mm F1.4: ISO100)

Still Image Shooting Mode

(P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

Movie Shooting Mode

(P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

ISO Sensitivity

ISO 100-25600,Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400

Exposure Compensation

±5EV (in 1/3-stop increments)

AE Lock

Half-press the shutter button, or press the AEL button (setting change required).

Exposure Bracket

3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)

Image Stabilization System

Image Stabilization System

Electronic system

White balance

Settings

12types
( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 )

Shutter

Shutter Type

Electronic shutter

Shutter Speed

30 - 1/8,000sec.,Bulb

Self-Timer / Remote control

2sec. / 10sec. (Self-Timer)

Drive

Drive Modes

Single shooting, Continuous shooting, Self-timer, Interval shooting

Continuous shooting speed

HI:18fps, MED:5fps, LO:3fps

Maximum number of shots

HIGH: 12frame, MED: 12frame, LOW: 24frame

Monitor

Type / Coverage

TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots /Electrostatic capacitance system touch panel /Approx. 100%

Flash (when to use external flash)

Light Emission Mode

S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash)

Flash Mode

Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization

Exposure correction

Max. ±3EV in 1/3EV-step increments

Flash Tuning Speed

Max. 1/30sec. * 1/15 sec. or less at 14bit

External Flash Support

Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact

Interval shooting

Interval shooting

Available

Color Mode

Color Mode

12types
( Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome )

Other Functions

Recording Mode

STILL Mode: FillLight / Shading Correcton / HDR shooting
CINE Mode: Still image shooting during movie shooting / HDR shooting / Director's view finder

Playback Mode

STILL: Mode In-camera DNG Development
CINE Mode: Cinemagraph / still image cut-out

Built-in Microphone / Speaker

Type

Stereo microphone, Monaural speaker

Language

Display Language

English /Japanese /German /French /Spanish /Italian /Simplified Chinese /Traditional Chinese /Korean /Russian /Dutch /Polish /Portuguese /Danish /Swedish /Norwegian /Finnish

Interface

USB

USB3.1 GEN1 Type C

HDMI

Type D (Ver.1.4)

Release Terminal

Also used as an external microphone terminal

External Microphone

Available(Plug-in power support)

Headphone output

Unavailable

Flash-synchro Terminal

Dedicated terminal (with hot shoe unit HU-11 (supplied with this prodct) mounted)

Power Source

Power

Li-ion Battery BP-51 *USB power supply available (when the power is turned off)

Dimensions and Weight

Dimensions

112.6 x 69.9 x 45.3mm

Weight

422g(including battery and SDcard), 370g(Camera Body Only)

Operating Environment

Operating
Temperature

0~+40℃

Operating
Humidity

86%or less * no condensing

Accessories / Optional Accessories

Accessories

LI-ION BATTERY BP-51, Strap, Strap Holder, USB AC Adapter UAC-11, USB Cable (A-C) SUC-11, HOT SHOE UNIT HU-11, Body Cap, Instruction Manual, Warranty, Warranty Sticker

Optional Accessories

HAND GRIP HG-11, LARGE HAND GRIP HG-21, LCD VIEW FINDER LVF-11, BASE PLATE BPL-11, CABLE RELEASE CR-41, BASE GRIP BG-11, DC CONNECTOR CN-21, BATTERY CHARGER BC-71, AC ADAPTER SAC-7P, ELECTRONIC FLASH EF-630, MOUNT CONVERTER MC-21

 

 

  • Sigma fp Mirrorless Digital Camera
  • Sigma BP-51 Lithium-Ion Battery Pack (7.2V, 1200mAh)
  • Strap
  • Strap Holder
  • USB AC Adapter
  • USB Type-A to Type-C Cable
  • Hot Shoe Unit
  • Body Cap
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    OVERVIEW

    World’s smallest and lightest full-frame camera

    World’s smallest & lightest

    With overall dimensions of 112.6×69.9×45.3mm and a body weight of 422g, battery included, the SIGMA fp is the world’s smallest and lightest full-frame mirrorless camera*. Small enough to take along for casual use, it is a perfect camera with which to enjoy full-frame quality images in everyday snaps.

    * As of July, 2019 by SIGMA

    Full-frame sensor

    Equipped with a back-illuminated 35mm full-frame Bayer sensor with 24.6 effective megapixels, the SIGMA fp is capable of taking high-resolution still and moving images.

    Large heat sink

    Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the SIGMA fp achieves highly effective heat dissipation. It prevents overheating at high temperatures or in long hours of use.

    Robust & lightweight aluminum body

    A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.

    Dust- & splash-proof structure

    The SIGMA fp is protected with the dust- and splash-proof sealing on a total of 42 points over the camera body. When combined with a dust- and splash-proof lens, the SIGMA fp is capable of shooting in rain, sandstorms, and other challenging conditions.

    Same screw threads for strap fittings and tripod

    The SIGMA fp is fitted with 1/4-inch threads for both the strap holder on either side of the body and a tripod. This provides greater freedom in how one use the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base.

    Electronic shutter for a variety of settings

    Full-time electronic shutter

    Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The SIGMA fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambience of the scene; and shooting with good response, without missing the perfect shot. These types of shooting will open new horizons in video creation.

    Furthermore, the absence of a mechanical shutter makes the SIGMA fp's camera structure simpler, which in turn improves its reliability as a camera.

    Superior options in artistic picture & video creations

    Color mode “Teal and Orange”

    Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the “mood” of a film or other types of work significantly. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the SIGMA fp, called “Teal and Orange.”

    This new color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic.

    It can be used in both the Still mode and Cine mode.

    Fill Light

    A function formerly available only in SIGMA Photo Pro, SIGMA's proprietary image development software, Fill Light has now been incorporated into the body of SIGMA fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings.

    The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more.

    Tone Control & Color mode

    The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves.

    The SIGMA fp is also the first SIGMA camera to come with an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to +5, which enables the fine-tune of the color mode.

    It has also newly introduced "TONE" and "COLOR" buttons for a quick access to the tone control and color mode menus. With these enhancd functions and a variety of operation elements, the SIGMA fp makes it simple and easy to create an image, in-camera with great details, be it still or video.

    Advanced picture & video generating technologies

    HDR shooting

    The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.

    Note: The HDR shooting in the Cine mode is to become available via firmware update scheduled at a later date.

    Cinemagraph

    SIGMA fp comes with a feature to make "Cinemagraphs", which are animated GIFs that are a hybrid between still photography and video. With this function, the SIGMA fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera.

    Note: The Cinemagraph function is to become available via firmware update scheduled at a later date.

    Face/Eye Detection AF

    The Face/Eye Detection AF function allows the SIGMA fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field.

    Focus peaking

    The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually.

    L-Mount

    L-Mount

    L-Mount* is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and superior durability.

    In 2018, Leica Camera AG, Panasonic Corporation and SIGMA launched the L-Mount Alliance, and announced that the three companies were to develop their own camera systems based around the same L-Mount standard. As an L-Mount camera, the SIGMA fp can be used with various L-Mount lenses offered by Leica and Panasonic, in addition to SIGMA lenses.

    The L-Mount realilzes a camera system that goes beyond the boundaries between manufacturers, with unprecedented levels of scalability and possibilities.

    * The L-Mount Trademark is a registered Trademark of Leica Camera AG.

    Lenses specially designed for mirrorless cameras

    To coincide with the announcement of the SIGMA fp, SIGMA announced three new lenses: 45mm F2.8 DG DN | Contemporary, 35mm F1.2 DG DN | Art, and 14–24mm F2.8 DG DN | Art. Making the most of the optical and mechanical design advantages of a short flange back, each of them is a unique mirrorless lens with high performance and distinctive characteristics.

    SIGMA MOUNT CONVERTER MC-21

    The SIGMA MOUNT CONVERTER MC-21 is a converter that enables the use of the SIGMA SA mount and SIGMA's CANON EF mount interchangeable lenses on L-Mount cameras. Use of the MC-21 increases the compatibility and broadens the choice for L-Mount cameras and lenses, thus greatly enhancing the scalability of the L-Mount system.

    Supports full-fledged filmmaking

    Accessories and compatibility

    In addition to genuine accessories designed exclusively for the SIGMA fp, the camera supports cinema camera-like user interfaces. It has solid compatibility that makes it a perfect camera that fits right into filmmaking settings.

    Supports RAW video data recording

    Aside from professional cinema cameras, the SIGMA fp is the first DSLR camera that supports external recording in 12-bit CinemaDNG format. With up to 4K UHD/24fps recording, it produces video data that can be used even in filmmaking.

    It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. The record format that best suits the purpose of the video can be selected.

    * The feature of playing CinemaDNG footages in-camera is to become via firmware update scheduled at a later date.

    * The CinemaDNG logo is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries.

    Director's viewfinder

    The SIGMA fp has a director's viewfinder function that allows the user to simulate different angles of view and how an image looks, on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only the latest large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K but also filmcameras and anamorphic lenses as well.

    Cinema cameras supported:

    [ARRI]

    ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, ALEXA XT

    [SONY]

    VENICE

    [RED]

    MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K

    Note: The feature of recording/playing video with the director's viewfinder function enabled is to become available via firmware update scheduled at a later date.

    Special functions comparable to professional cinema cameras

    The SIGMA fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment.

    Seamless transition between Still and Cine modes

    UI optimized for different shooting modes

    Preserving the distinctive “feels” of SIGMA cameras including dials and QS (Quick Set) buttons, the SIGMA fp has a specially designed operation system and displays for each of the Still mode and the Cine mode. At the flick of a special switch, it can move back and forth between the two modes. This presents a new shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos.

    FEATURES

    7 Shooting Style Suggestions with the SIGMA fp

    L-Mount Optimised

    "Pushing Limits and Boundaries for Any Image You Want"

    The act of “image shooting,” reconstructed to give the SIGMA fp its signature features.

    Supports Full-Fledged Filmmaking

    Seamless Transition Between Still and Cine Modes

    SPECIFICATIONS

    Format

    Type

    Interchangeable-lens Mirrorless Type Digital Camera

    Storage Media

    SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported)

    Lens Mount

    L-Mount

    Image Sensor

    Type

    35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor

    Camera effective pixels / Total pixels

    Approx. 24. 6MP / Approx. 25.3MP

    Aspect Ratio

    3:2

    Color, filter System

    RGB Primary color filter

    Still Image File Format

    Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible

    Image aspect ratio

    [21:9] /[16:9] /[3:2] /[A Size (√2:1)] /[4:3] /[7:6] /[1:1]

    File Size

    RAW

    HIGH:6000×4000 (3840x2560) LOW:3008x2000 (1920x1280)*() In DC Clop Mode

    JPEG

    •  

    [21:9]

    HIGH6,000×2,576 (3,840×1,648)

    MED4,240×1,824 (2,736×1,168)

    LOW3,008×1,288 (1,920×824)

    •  
    •  

    [16:9]

    HIGH6,000×3,376 (3,840×2,160)

    MED4,240×2,392 (2,736×1,536)

    LOW3,008×1,688 (1,920×1,080)

    •  
    •  

    [3:2]

    HIGH6,000×4,000 (3,840×2,560)

    MED4,240×2,832 (2,736×1,824)

    LOW3,008×2,000 (1,920×1,280)

    •  
    •  

    [A Size (√2:1)]

    HIGH5,664×4,000 (3,616×2,560)

    MED4,000×2,832 (2,560×1,824)

    LOW2,832×2,000 (1,808×1,280)

    •  
    •  

    [4:3]

    HIGH5,344×4,000 (3,408×2,560)

    MED3,776×2,832 (2,416×1,824)

    LOW2,672×2,000 (1,712×1,280)

    •  
    •  

    [7:6]

    HIGH4,672×4,000 (2,992×2,560)

    MED3,312×2,832 (2,112×1,824)

    LOW2,336×2,000 (1,488×1,280)

    •  
    •  

    [1:1]

    HIGH4,000×4,000 (2,560×2,560)

    MED2,832×2,832 (1,824×1,824)

    LOW2,000×2,000 (1,280×1,280)

    Crop

    Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras)

    Color Space

    sRGB / Adobe RGB

    Movie Recording Format [Camera Internal Record]

    Movie Format

    CinemaDNG(8bit / 10bit/ 12bit) /MOV:H.264 (ALL-I/ GOP)

    Audio Format

    Linear PCM (2ch 48kHz/16bit)

    Recording Pixels / Frame Rate

    3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p,FHD(1,920x1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

    Movie Recording Format [HDMI External Output]

    Movie Format

    HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported

    Audio Format

    Linear PCM (2ch 48kHz/16bit)

    Focus

    Auto Format / Focus Mode

    Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus

    AF Measurement DistanceDetecton Range / AF mode

    -5EV~18EV(F1.4:ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode

    AF Lock

    Half-press the shutter button, or press the AEL button

    Other Focus Functions

    AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification

    Exposure Control

    Metering System

    Evaluative, Spot, Center Weighted Average

    Metering Range

    -5~18EV (50mm F1.4: ISO100)

    Still Image Shooting Mode

    (P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

    Movie Shooting Mode

    (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

    ISO Sensitivity

    ISO 100-25600,Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400

    Exposure Compensation

    ±5EV (in 1/3-stop increments)

    AE Lock

    Half-press the shutter button, or press the AEL button (setting change required).

    Exposure Bracket

    3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)

    Image Stabilization System

    Image Stabilization System

    Electronic system

    White balance

    Settings

    12types
    ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 )

    Shutter

    Shutter Type

    Electronic shutter

    Shutter Speed

    30 - 1/8,000sec.,Bulb

    Self-Timer / Remote control

    2sec. / 10sec. (Self-Timer)

    Drive

    Drive Modes

    Single shooting, Continuous shooting, Self-timer, Interval shooting

    Continuous shooting speed

    HI:18fps, MED:5fps, LO:3fps

    Maximum number of shots

    HIGH: 12frame, MED: 12frame, LOW: 24frame

    Monitor

    Type / Coverage

    TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots /Electrostatic capacitance system touch panel /Approx. 100%

    Flash (when to use external flash)

    Light Emission Mode

    S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash)

    Flash Mode

    Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization

    Exposure correction

    Max. ±3EV in 1/3EV-step increments

    Flash Tuning Speed

    Max. 1/30sec. * 1/15 sec. or less at 14bit

    External Flash Support

    Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact

    Interval shooting

    Interval shooting

    Available

    Color Mode

    Color Mode

    12types
    ( Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome )

    Other Functions

    Recording Mode

    STILL Mode: FillLight / Shading Correcton / HDR shooting
    CINE Mode: Still image shooting during movie shooting / HDR shooting / Director's view finder

    Playback Mode

    STILL: Mode In-camera DNG Development
    CINE Mode: Cinemagraph / still image cut-out

    Built-in Microphone / Speaker

    Type

    Stereo microphone, Monaural speaker

    Language

    Display Language

    English /Japanese /German /French /Spanish /Italian /Simplified Chinese /Traditional Chinese /Korean /Russian /Dutch /Polish /Portuguese /Danish /Swedish /Norwegian /Finnish

    Interface

    USB

    USB3.1 GEN1 Type C

    HDMI

    Type D (Ver.1.4)

    Release Terminal

    Also used as an external microphone terminal

    External Microphone

    Available(Plug-in power support)

    Headphone output

    Unavailable

    Flash-synchro Terminal

    Dedicated terminal (with hot shoe unit HU-11 (supplied with this prodct) mounted)

    Power Source

    Power

    Li-ion Battery BP-51 *USB power supply available (when the power is turned off)

    Dimensions and Weight

    Dimensions

    112.6 x 69.9 x 45.3mm

    Weight

    422g(including battery and SDcard), 370g(Camera Body Only)

    Operating Environment

    Operating
    Temperature

    0~+40℃

    Operating
    Humidity

    86%or less * no condensing

    Accessories / Optional Accessories

    Accessories

    LI-ION BATTERY BP-51, Strap, Strap Holder, USB AC Adapter UAC-11, USB Cable (A-C) SUC-11, HOT SHOE UNIT HU-11, Body Cap, Instruction Manual, Warranty, Warranty Sticker

    Optional Accessories

    HAND GRIP HG-11, LARGE HAND GRIP HG-21, LCD VIEW FINDER LVF-11, BASE PLATE BPL-11, CABLE RELEASE CR-41, BASE GRIP BG-11, DC CONNECTOR CN-21, BATTERY CHARGER BC-71, AC ADAPTER SAC-7P, ELECTRONIC FLASH EF-630, MOUNT CONVERTER MC-21

     

     

    IN THE BOX

  • Sigma fp Mirrorless Digital Camera
  • Sigma BP-51 Lithium-Ion Battery Pack (7.2V, 1200mAh)
  • Strap
  • Strap Holder
  • USB AC Adapter
  • USB Type-A to Type-C Cable
  • Hot Shoe Unit
  • Body Cap